GRAYCODE, jiiiiin

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︎︎︎GRAYCODE
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Sound,
is indeed invisible,
but it does exist.



published by Mediabus, 25.7.2021

ISBN 979-11-90434-16-4 [93670]

165x275mm / 128pages /
design Young Sam Kim / 24,000won
      


  





Sound,
is indeed invisible,
but it does exist.






#include red
2016, 2017, 2018
composition for audio-visual 

solo exhibition
at Incheon Art Platform,  Korea, Republic of

group exhibition
at Madatac Festival, Spain
at Ma/in Festival, Italy
at COEX artrium, Seoul, Korea, Republic of
at Korean Cultural Centre UK, London, UK (ACC Video Archives)
at International Computer Music Conference, CN (selected) 

solo concert
at Asia Culture Center, Korea, Republic of

AV live performance
at Lunchmeat Festival, Czech
at Collection Born, Munich, Germany
at Koreanisches Kulturzentrum, Berlin, Germany





“What color red sound like?”

#include red is base on specific relationships, on between what we hear and what we see. It is a result of thoughts on human’s audiovisual sense and how those two different visual and auditory senses related together and substitute each other. Through the approach of substitutive relationship, the color red can be the substitute for the lowest frequency regarding audio frequency. It started with the simple imagination that red might be in low-frequency area if we listen the color red.






Documentary ⓒNIP ]









[ #include red(2018) in Madrid ⓒGRAYCODE, jiiiiin ]










#include red(2016) on 5screens ⓒGRAYCODE, jiiiiin ]